Based on over 100 in-depth interviews as well as participant observation, Bayton covers the period from the late 1970s until the mid 1990s focussing mainly on women instrumentalists in female and mixed bands. She explores the social factors that keep women from playing and those routes that enabled women's involvement.Then she examines the everyday worlds of women's music making from bands just starting up to the professional stage: songwriting, rehearsing, the first gig, getting a manager, record companies, recording, and touring.
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