• Howard Ferguson Keyboard interpretation from the 14th to the 19th century

  an introduction

  Engels | 211 pagina's | Oxford University Press, London | 1975

  Gedrukt boek

• Walter Kolneder Aufführungspraxis bei Vivaldi

  Duits | 122 pagina's | Breitkopf & Härtel, Leipzig | 1955

  Gedrukt boek

• Johanna de Geus Het Lied en zijn vertolking

  voor zangstudeerenden en concertbezoekers

  Nederlands | 36 pagina's | Albersen, Den Haag | 1935

  Gedrukt boek

• 

  Pedro Ramos Choro

  basic concepts for playing Brazilian music; for all instruments in C, B♭, E ♭

  Non-fictie

  107 pagina's | Advance Music, [Mainz] | 2015

  Bladmuziek

• 

  Robert Philip Performing music in the age of recording

  What is the relationship between performance and recording? What is the impact of recording on the lives of musicians? Comparison of the lives of musicians and audiences in the years before recordings with those of today. Survey of the changing attitudes toward freedom of expression, the globalization of performing styles and the rise of the period instrument movement.

  Non-fictie

  Engels | 293 pagina's | Yale University Press, New Haven, CT [etc.] | 2004

  Gedrukt boek

• 

  Julie Lyonn Lieberman Alternative strings

  the new curriculum

  Overzicht van het gebruik van met name de viool in de populaire muziek.

  Non-fictie

  Engels | 207 pagina's | Amadeus Press, Pompton Plains, NJ [etc.] | 2004

  Gedrukt boek

• 

  William Westney The perfect wrong note

  learning to trust your musical self

  Gids voor (amateur-)musici voor het ontwikkelen van een persoonlijke stijl.

  Non-fictie

  Engels | 239 pagina's | Amadeus Press, Pompton Plains, NJ [etc.] | 2003

  Gedrukt boek

• Michael Davidson Mozart and the pianist

  a guide for performers and teachers to Mozart's major works for solo piano

  Non-fictie

  Engels | 358 pagina's | Go-Boss Press, Leiderdorp | 1998

  Gedrukt boek

• Bernard D. Sherman Inside early music

  conversations with performers

  Engels | 414 pagina's | Oxford University Press, New York [etc.] | 1997

  Gedrukt boek

• 

  Bernard Harrison Haydn's keyboard music

  studies in performance practice

  Non-fictie

  Engels | 418 pagina's | Clarendon Press, Oxford | 1997

  Gedrukt boek

• Peter Kivy Authenticities

  philosophical reflections on musical performance

  Engels | 299 pagina's | Cornell University Press, Ithaca [etc.] | 1995

  Gedrukt boek

• Authenticity and early music

  a symposium

  Engels | 219 pagina's | Oxford University Press, Oxford [etc.] | 1988

  Gedrukt boek

• Raymond Leppard Authenticity in music

  Engels | 80 pagina's | Faber Music, London [etc.] | 1988

  Gedrukt boek

• Harry Haskell The early music revival

  a history

  Engels | 232 pagina's | Thames and Hudson, London | 1988

  Gedrukt boek

• Laurence Dreyfus Bach's continuo group

  players and practices in his vocal works

  Engels | 264 pagina's | Harvard University Press, Cambridge, MA [etc.] | 1987

  Gedrukt boek

• Edmund A. Bowles La pratique musicale au Moyen Age

  Engels | Frans | 209 pagina's | Minkoff & Lattès, [Genève] | 1983

  Gedrukt boek

• Donald Barra The dynamic performance

  a performer's guide to musical expression and interpretation

  Engels | 181 pagina's | Prentice-Hall, Englewood Cliffs, N.J | 1983

  Gedrukt boek

• Frederick Neumann Ornamentation in Baroque and Post-Baroque music

  with special emphasis on J. S. Bach

  Engels | 630 pagina's | Princeton University Press, Princeton [etc.] | 1978

  Gedrukt boek

• Robert Donington String playing in baroque music

  Engels | 126 pagina's | Faber, London | 1977

  Gedrukt boek

• David D. Boyden The history of violin playing

  from its origins to 1761 and its relationship to the violin and violin music

  Engels | 569 pagina's | Oxford University Press, London, New York | 1975

  Gedrukt boek

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