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Resultaat 41 - 60 (van 672)
Orpheus Institute | Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
Non-fictie
Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
E-book
R.H.L.M. van Boxtel Van trilling tot rilling
de magie van muziek
Interviews met mensen die geboeid zijn door de kracht van muziek, onder wie bekende zangers, een therapeut, een hersenwetenschapper en een hoogleraar.
Non-fictie
Nederlands | 156 pagina's | Prometheus Bert Bakker, Amsterdam | 2015
Gedrukt boek
Jos Kessels Taal geven aan muziek
een nieuwe harmonieleer
Filosofische beschouwing over de uitdrukkingsvormen — zoals poëzie, kunst en beeldtaal — die ons ter beschikking staan om uitdrukking te geven aan de beleving van muziek.
Non-fictie
Nederlands | 222 pagina's | Boom, Amsterdam | 2023
Gedrukt boek
Welke taal spreekt de muziek?
muziekfilosofische beschouwingen
Muziekfilosofische beschouwingen van Nederlandse deskundigen.
Non-fictie
Nederlands | 175 pagina's | DAMON, Budel | 2005
Gedrukt boek
Jos Kunst Filosofie van de muziekwetenschap
Inleidend overzicht.
Non-fictie
Nederlands | 122 pagina's | Nijhoff, Leiden | 1988
Gedrukt boek
Alicja Gescinska Thuis in muziek
een oefening in menselijkheid
Essay met de centrale vraag of muziek mens en maatschappij beter maakt.
Non-fictie
Nederlands | 125 pagina's | De Bezige Bij, Amsterdam | 2018
Gedrukt boek
Cees Nooteboom Over het raadsel van woorden, tonen en stemmen
Verzameling essays over muziek, literatuur en het leven die de auteur tussen 2002 en 2010 schreef voor Preludium, het blad van het Concertgebouw en het Concertgebouworkest.
Non-fictie
Nederlands | 114 pagina's | Koppernik, [Amsterdam] | 2022
Gedrukt boek
Orpheus Institute Machinic assemblages of desire
Deleuze and Artistic Research 3
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, "assemblage" is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages...
Non-fictie
Engels | PDF, 27 MB | Leuven University Press, Leuven | 2021
E-book
Emanuel Overbeeke Nederland en Beethoven
Gedegen overzicht van de Nederlandse concertpraktijk sinds 1820 aan de hand van de uitvoeringspaktijk en de waardering van de muziek van Beethoven.
Non-fictie
Nederlands | 382 pagina's | Uitgeverij Prominent, Baarn | 2020
Gedrukt boek
William Lach Kijken naar muziek
Aan de hand van vragen kun je door het luisteren naar dertien klassieke muziekfragmenten op de cd op een andere manier kijken naar kunstwerken. Met informatie over muziekinstrumenten, kunstenaars en muziekstukken. Vanaf ca. 8 t/m 11 jaar.
Non-fictie
Nederlands | 39 pagina's | Lemniscaat, Rotterdam | 2006
Gedrukt boek
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
Non-fictie
Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Sensorial aesthetics in music practices
The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics-the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of...
Non-fictie
Engels | PDF, 24 MB | Leuven University Press, Leuven | 2019
E-book
Orpheus Institute Experimental encounters in music and beyond
Multidisciplinary analysis of experimentalism in music and the wider arts today Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces,...
Non-fictie
Engels | 212 pagina's (PDF, 3,4 MB) | Leuven University Press, Leuven | 2018
E-book
Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
What Is a cadence?
theoretical and analytical perspectives on cadences in the classical repertoire
The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...
Non-fictie
Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017
E-book
Rudolf Steiner Rudolf Steiner over muziek
Twaalf voordrachten over muziek, vanuit een antroposofische visie.
Non-fictie
Nederlands | 221 pagina's | Vrij Geestesleven, Zeist | 1986
Gedrukt boek
Dale Purves De muzikale mens
biologie van klank, toon en ritme
Onderzoek naar muzikale tonen vanuit het perspectief van de biologie.
Non-fictie
Nederlands | 182 pagina's | Veen Media, Utrecht | 2018
Gedrukt boek