Zoekresultaten
Resultaat 61 - 80 (van 167)
Leo Boudewijns Marskramer van de muze
De ontwikkeling van de muzieksmaak van Leo Boudewijns (1931), platencoryfee, radioman en schrijver.
Non-fictie
Nederlands | 306 pagina's | Prominent, [Baarn] | 2017
Gedrukt boek
Meindert Talma Je denkt dat het komt
Autobiografische teksten over de periode 1997-2001 en songs van de Nederlandse popzanger (1968). Met cd.
Fictie
Nederlands | 280 pagina's | Uitgeverij Passage, Groningen | 2017
Gedrukt boek
Glynis O'Hara | Tessa Courtenay David Bowie
de meester die zichzelf steeds opnieuw uitvond
Biografie van de zanger en acteur David Bowie.
Non-fictie
Nederlands | 123 pagina's | Rebo Productions, Noordwijkerhout | 2018
Gedrukt boek
Mylou Frencken Leven in het lied
Interviews met ruim 25 cabaretiers, gecombineerd met de teksten van hun mooiste lied en een cd met alle liederen.
Non-fictie
Nederlands | 309 pagina's (ePub2, 0,8 MB) | Luitingh Sijthoff, Amsterdam | 2017
E-book
G.J. Bach Govert Jan Bach over Maarten Luther en Johann Sebastian Bach
twee grensverleggers; een hoorcollege vol muziekfragmenten
Het leven en werk van Luther (cd 1) en zijn invloed op het werk van Bach (cd 2), die vaak lutherse gezangen als basis gebruikte (cd 3+4). Met boekje met tekst, afbeeldingen, bibliografie en tracklist.
Non-fictie
Nederlands | 54 pagina's | Rubinstein Publishing, [Amsterdam] | 2017
Gedrukt boek
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
Non-fictie
Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
Floor Wittink Hoe je als muzikant een bloeiende lespraktijk opbouwt
Non-fictie
Nederlands | 95 pagina's | Het Schrijversportaal B.V., Maartensdijk | 2017
Gedrukt boek
Kevin Hart | Neil Strauss Ik verzin dit niet
levenslessen
Autobiografie van de Amerikaanse stand up comedian (1979).
Non-fictie
Nederlands | 306 pagina's (ePub2, 5,7 MB) | Kosmos Uitgevers, Utrecht | 2017
E-book
Vincent de Vries | Theo Nabuurs Wonderful Days
Mental Theo
Theo Nabuurs (1965), beter bekend als Mental Theo, is een icoon uit de Nederlandse dance- en mediascene. Begin jaren negentig brak hij samen met Charly Lownoise door als dj. Met nummers als ‘Wonderful Days’ en ‘Stars’ bestormden zij de hitlijsten. Ook presenteerde hij programma’s voor TMF en had hij een eigen raceteam. In zijn biografie Wonderful Days vertelt Theo over zijn bevlogen leven. Over een bestaan vol succes, drank en seks, maar ook over de dieptepunten. En over nu, want nog altijd staat...
Non-fictie
Nederlands | 179 pagina's (ePub2, 2,2 MB) | Kosmos Uitgevers, Utrecht | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
Non-fictie
Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
E-book
Ad de Keyzer Mystieke perspectieven in Bachs Matthäus-Passion
Een zoektocht naar de mystieke dimensie van compositie en tekst in de Matthäus Passion van Johann Sebastian Bach.
Non-fictie
Nederlands | 160 pagina's | Adveniat, Baarn | 2017
Gedrukt boek