Zoekresultaten
Resultaat 81 - 100 (van 171)
Niekolaas Johannes Lekkerkerk The standard book of noun-verb exhibition grammar
Non-fictie
Engels | 179 pagina's | Onomatopee, Eindhoven | 2017
Gedrukt boek
Marc Boumeester The desire of the medium
Non-fictie
Engels | 264 pagina's | ArtEZ Press, Arnhem | 2017
Gedrukt boek
Steven ten Thije The emancipated museum
Non-fictie
Engels | 83 pagina's | Mondriaan Fonds, Amsterdam | 2017
Gedrukt boek
Contemporary Artist Residencies
Reclaiming time and space
Non-fictie
Engels | 269 pagina's | Valiz, Amsterdam | 2019
Gedrukt boek
Frank Reijnders Meesterwerken meesterzetten
Non-fictie
Nederlands | 191 pagina's | 1001, Amsterdam | 2013
Gedrukt boek
BAK, basis voor actuele kunst Future publics
(the rest can and should be done by the people)
Publication brings together contributions by artists, theorists, and activists to reflect on radically new publics as they emerge from the experiences of social crisis and political uncertainty that characterize the present. These future publics are provisional assemblies that question existing mechanisms of collective organization and constructions of social value and cultural meaning, recognizing that the institutions of public life cannot continue with a business-as-usual attitude as late capital's...
Non-fictie
Engels | 340 pagina's | BAK, Utrecht | 2015
Gedrukt boek
Jeroen Lutters Teaching objects
studies in art-based learning
Non-fictie
Engels | 103 pagina's | ArtEZ Press, Arnhem | 2015
Gedrukt boek
Spaces for criticism
shifts in contemporary art discources
Is art criticism losing ground, because of the Internet and art blogs? Do people consider the authorative art critics (of newspapers, magazines) as their most important source to assess and filter what they want to see, read, etc.? Most recent discussions have revolved around the question 'what is art criticism?'; this book wants to explore the question: 'where is art criticism?'. It wants to explore new ways and new spaces where art critics might interact with publics, works of art, artists and...
Non-fictie
Engels | 269 pagina's | Valiz, Amsterdam | 2015
Gedrukt boek
Interrupting the city
artistic constitutions of the public sphere
Publication looks at how artistic practices and interventions constitute the public sphere. To interrupt the city means to arrest the flow or circulation of the urban system. The tactics by which this is achieved may vary, ranging from a media offensive to street riots, but each and every time these activities affect the public sphere, they make the public sphere. Thus, the public domain is constituted by a combination of social, political and media forces, in a continual flux that is constantly...
Non-fictie
Engels | 325 pagina's | Valiz, Amsterdam | 2015
Gedrukt boek
Caroline Woolard Art, engagement, economy
the working practice of Caroline Woolard
Non-fictie
Engels | 561 pagina's | Onomatopee, [Eindhoven] | 2020
Gedrukt boek
Lotje de Lusannet Het wel en wee van de wereld
een artistieke interpretatie van de Tuin der Lusten van Jheronimus Bosch; una interpretación artística del Jardín de las Delicias de El Bosco
Vrije interpretatie van het drieluik van Jheronimus Bosch (ca. 1450-1516) met verklarende teksten van deskundigen.
Non-fictie
Nederlands | Spaans | 64 pagina's | D'jonge Hond, Harderwijk | 2007
Gedrukt boek
Erik Hagoort I don't know what you are going to say
Non-fictie
Engels | 112 pagina's | Jap Sam Books, [Heijningen] | 2018
Gedrukt boek
Jeroen Lutters Cy Twombly’s Quattro Stagioni
studies in art-based learning; an art novella
Non-fictie
Engels | 180 pagina's | ArtEZ Press, Arnhem | 2018
Gedrukt boek
Finnish Academy of Fine Arts | Anna-Kaisa Rastenberger Why exhibit? Positions on exhibiting photographies
Non-fictie
Engels | 367 pagina's | Fw:Books, Amsterdam | 2018
Gedrukt boek
Wil Uitgeest Tussen verwondering en verbijstering
kunst, wetenschap en innerlijke vrijheid
Essay over beeldende kunst in relatie tot andere aspecten van het dagelijks leven.
Non-fictie
Nederlands | 183 pagina's | Indigo, Zeist | 2005
Gedrukt boek
Teaching art in the neoliberal realm
realism versus cynicism
In most countries art education is not immune from a large-scale reorganisation. Educational institutions are increasingly required to operate as enterprises that compete for the best or the largest number of students and to express their objective and results in financial and management terms. In short, the field of education has become a market. Whether there is still room for art in it remains an important question. Publication investigates the effects of this setup on content and practice of...
Non-fictie
Engels | 259 pagina's | Valiz, Amsterdam | 2012
Gedrukt boek
BAK, basis voor actuele kunst On horizons
a critical reader in contemporary art
Non-fictie
Engels | 239 pagina's | BAK, basis voor actuele kunst, Utrecht | 2011
Gedrukt boek
Paul O'Neill Locating the producers
durational approaches to public art
Investigation how and why more long-term and/or accumulative public art projects have began to emerge in response to single locations, it provides an in-depth analysis of five durational projects as its starting point: The Blue House (Het Blauwe Huis), IJburg, The Netherlands (2004-2009); Beyond, Leidsche Rijn, The Netherlands (1999 -2009); Trekroner Art Plan, Roskilde, Denmark (2001-present); Creative Egremont, Cumbria, UK (ongoing since 1999) and Edgware Road Project, London, UK (2009-2011).
Non-fictie
Engels | 421 pagina's | Valiz, Amsterdam | 2011
Gedrukt boek
Pascal Gielen The murmuring of the artistic multitude
global art, memory and post-Fordism
Art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. These days the work ethic of the art world with its ever-present young dynamic, flexible working hours, thematic approach, short-term contracts or lack of contracts and its unlimited, energetic freedom is capitalized withing the cultural industry and has been converted into a standard production model. In the glow of the creative cities and the creative industry...
Non-fictie
Engels | 263 pagina's | Valiz, Amsterdam | 2010
Gedrukt boek