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Resultaat 161 - 180 (van 992)
Nelly de Zwaan | Karen Groeneveld | Joyce Koster | Frank van Ark 100 kastelen
Wereldwijd overzicht in woord en beeld van fraaie kastelen en kasteelachtige bouwwerken uit allerlei tijdperken.
Non-fictie
Nederlands | 141 pagina's | Rebo Productions, Noordwijkerhout | 2017
Gedrukt boek
Ans van Berkum De Flevowand
van Bayeux tot Biddinghuizen
Beschrijving van de totstandkoming en de achtergronden van het zestig meter lange geborduurde doek dat de meest dramatische momenten in de geschiedenis van de Zuiderzee verbeeldt, van de ijstijd tot de inpoldering van Flevoland.
Non-fictie
Nederlands | 167 pagina's | Pharos, Beilen | 2017
Gedrukt boek
Leendert van der Valk Voudou
van New Orleans naar Cotonou op het ritme van de goden
In [Voudou] reist Leendert van der Valk van New Orleans naar Haïti, Suriname, Togo en Benin, op zoek naar de relatie tussen voodoo en moderne muziek. De jazz van Louis Armstrong, de afrobeat van Fela Kuti, de kaseko van Lieve Hugo, de blues van Robert Johnson; ze waren er niet geweest zonder voodoo, of [voudou]. Voodoo is een oeroud West-Afrikaans geloof dat met de slaven mee kwam naar de Nieuwe Wereld, dat werd verboden, maar overleefde in de muziek waar we vandaag de dag nog naar luisteren. Van...
Non-fictie
Nederlands | 368 pagina's (ePub2, 6,1 MB) | Atlas Contact, Amsterdam | 2017
E-book
Gillian G. Gaar Elvis Presley
de legende; de geautoriseerde uitgave met archiefmateriaal uit Graceland®
Levensbeschrijving van Elvis Presley in woord en beeld.
Non-fictie
Nederlands | 191 pagina's | Librero, Kerkdriel | 2017
Gedrukt boek
Wiebren Rijkeboer Americana outlaws
50 singer-songwriters uit de seventies
Korte schetsen van 50 weinig bekende singer-songwriters uit de jaren zeventig.
Non-fictie
Nederlands | 200 pagina's (ePub3, 4,5 MB) | Kleine Uil, Groningen | 2020
E-book
Iris Duvekot The workshop
Dutch creatives and their workspaces
Portretten van 25 creatieve Nederlanders en hun werkplaatsen.
Non-fictie
Engels | Nederlands | 240 pagina's | Mendo, Amsterdam | 2017
Gedrukt boek
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Steven F. Joseph Belgian photographic literature of the 19th century
a bibliography and census; bibliography et recensement
First comprehensive and richly illustrated overview of historical Belgian photographic literature. The development of photography from its roots in 19th-century science gradually transformed book illustration and the dissemination of images. This fully bilingual reference work presents a first comprehensive survey of Belgian photographic literature of the 19th century, both of illustrated books and of technical publications. It makes a major contribution to academic study in the field, with a corpus...
Engels | Frans | 440 pagina's (PDF, 6,2 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
Non-fictie
Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
E-book
Ignace Bossuyt De oratoria van Alessandro Scarlatti (1660-1725)
meesterwerken uit de Italiaanse barok
Monografie over Allessandro Scarlatti en zijn oratoria. In het tweede deel geeft Bossuyt een gedetaillleerde bespreking van het oratorium 'Caino overo Il primo omicidio'. Het volledige libretto is opgenomen in het Italiaans met de Nederlands vertaling ernaast. Tevens zijn er afbeeldingen met muziekfragmenten uit het oratorium opgenomen.
Non-fictie
Nederlands | Italiaans | 150 pagina's (PDF, 3,7 MB) | Lipsius Leuven, Leuven | 2017
E-book
What Is a cadence?
theoretical and analytical perspectives on cadences in the classical repertoire
The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...
Non-fictie
Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017
E-book
Jan Pieter Foppen | Teo van den Brink Jan Pieter Foppen
hedendaags impressionist; het licht gezien
Overzicht van het werk van Jan Pieter Foppen. Zijn impressionistisch aandoende schilderijen zijn momentopnames van het leven, veelal in de stad maar ook aan de waterkant en in het bos en met veel nadruk op licht en schaduw.
Non-fictie
Nederlands | 104 pagina's | Waanders Uitgevers, Zwolle | 2017
Gedrukt boek