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Pascal Gielen The murmuring of the artistic multitude
global art, memory and post-Fordism
Art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. These days the work ethic of the art world with its ever-present young dynamic, flexible working hours, thematic approach, short-term contracts or lack of contracts and its unlimited, energetic freedom is capitalized withing the cultural industry and has been converted into a standard production model. In the glow of the creative cities and the creative industry...
Non-fictie
Engels | 263 pagina's | Valiz, Amsterdam | 2010
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