Philip Mosley Split screen

Belgian cinema and cultural identity

History of a cinema largely determined by linguistic division and beset by problems of cultural identity. This 'split screen' characterizes the Belgian cinema. In surveying the evolution of Belgian cinema the author locates all the major feature films, describes the crucial intervention of the state in film production, and reveals undervalued Belgian traditions in documentary, in animation, in short films, and in a colonial cinema created partly by missionaries in the former Belgian Congo. Review...

Engels | 251 pagina's | State University of New York Press, Albany | 2001

Gedrukt boek