Aileen Ribeiro Clothing art

the visual culture of fashion, 1600-1914

Engels | 572 pagina's | Yale University Press, New Haven | 2017

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Aileen Ribeiro Facing beauty

painted women & cosmetic art

This book discusses the shifting perceptions of female beauty, concentrating on the period from about 1540 to 1940. It begins with the Renaissance, when a renewed emphasis on the individual was reflected in the celebration of beauty in the portraits of the day. The fluid, sensual lines of the Baroque period initiated a shift toward a more "natural" look, giving way in the 18th century to a more stylized and artificial face, a mask of ideal beauty. By the late 19th century, commercial beauty preparations...

Non-fictie

Engels | 371 pagina's | Yale University Press, New Haven [etc.] | 2011

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Margaret F. MacDonald | Susan Grace Galassi | Aileen Ribeiro Whistler, women, & fashion

Engels | 243 pagina's | The Frick Collection, New York | 2003

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Aileen Ribeiro The visual history of costume

Engels | 240 pagina's | Batsford, London | 2000

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Aileen Ribeiro Fashion in the French Revolution

Engels | 159 pagina's | Batsford, London | 1988

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Aileen Ribeiro The female face in the Tate's British collection 1569-1876

Engels | 32 pagina's | The Gallery, London | 1987

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Aileen Ribeiro Dress and morality

Historisch overzicht van de kritiek van moralisten op mode

Engels | 192 pagina's | Batsford, London | 1986

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Aileen Ribeiro Dress in eighteenth-century Europe, 1715-1789

Engels | 216 pagina's | Batsford, London | 1984

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