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(Dis)embodying myths in Ancien Régime opera
multidisciplinary perspectives
The role of mythology in Ancien Régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en...
Non-fictie
Engels | 184 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
David Ignatius | Mohammed Fairouz The new prince
opera in een proloog, 4 akten en een epiloog
Non-fictie
Nederlands | Engels | 88 pagina's | Nationale Opera & Ballet, Amsterdam | 2017
Gedrukt boek
Koulsy Lamko Bintou Wéré
African opera
Non-fictie
Engels | 203 pagina's | Prince Claus Fund, [Amsterdam] | 2017
Gedrukt boek
Mitchell Cohen The politics of opera
a history from Monteverdi to Mozart
Non-fictie
Engels | 477 pagina's | Princeton University Press, Princeton, Oxford | 2017
Gedrukt boek
Definitive opera encyclopedia
Engels | 384 pagina's | Flame Tree Publishing, London | 2017
Gedrukt boek
Music in the London theatre from Purcell to Handel
Engels | 268 pagina's | Cambridge University Press, Cambridge, United Kingdom | 2017
Gedrukt boek