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Mieke Bal Quoting Caravaggio
contemporary art, preposterous history
As period, as style, as sensibility, the Baroque remains elusive, its definition subject to dispute. Perhaps this is so in part because baroque vision resists separation of mind and body, form and matter, line and color, image and discourse. In Quoting Caravaggio, Mieke Bal deploys this insight of entanglement as a form of art analysis, exploring its consequences for both contemporary and historical art, as well as for current conceptions of history. Mieke Bal's primary object of investigation in...
Engels | 305 pagina's | The University of Chicago Press, Chicago, IL [etc.] | 1999
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