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Camiel van Winkel The myth of artisthood
Non-fictie
Engels | 87 pagina's | Mondriaan Fund, Amsterdam | 2013
Gedrukt boek
BAVO Cultural activism today
the art of over-identification
Essays are the outcome of a symposium held in Amsterdam in January 2006, theoretically explores this strategy of over-identification as an effective means of artistic resistance today. It is over-identification because the artists in question strategically over-identify with the ruling norms and practices instead of contesting them or inventing an alternative for them.
Non-fictie
Engels | 119 pagina's | Episode, Rotterdam | 2007
Gedrukt boek
Right about now
art & theory since the 1990s
Art that has been produced in the last fifteen years has generated virtually no theoretical reflection or historical contextualisation. The contrast with previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art, Conceptual Art - they all had to have their own story. In the 1990s it was mainly the art itself and the experience it provided that were key....
Non-fictie
Engels | 180 pagina's | Valiz, Amsterdam | 2007
Gedrukt boek