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Georges-Claude Guilbert Madonna as postmodern myth
how one star's self-construction rewrites sex, gender, Hollywood, and the American dream
This book examines how Madonna methodically discovered and constructed herself (often rewriting her past), the nature and extent of her ambition and the means she used to reach her goals. It also details the way in which she organized her own cult (borrowing from the gay community), devised her artistic output, and cunningly targeted different audiences. It also studies the fundamental contradiction—virgin or vamp? saint or prostitute?—that fuels Madonna’s career and describes how Madonna reflects...
Engels | 254 pagina's | McFarland, Jefferson, NC [etc.] | 2002
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