The International Communication and Youth Consortium Music at the margins
popular music and global cultural diversity
Gedrukt boek
The fundamental question is whether there is a growing homogenization of the world's popular music or, alternatively, a continuing and perhaps even increasing diversity of song, styles, and forms. The primary focus is on how the proces of popular music production is perceived by the local musicians. Can world cultural diversity be expected to persist despite growing concentration within international cultural industry? Specific topics adressed include the rise of the international recording indu stry, music production in socialist or formerly socialist countries, censorship and sociopolitical influences.
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