This ethnomusicological study draws on fieldwork conducted at women's music festivals in the US and on the author’s personal experiences. Hayes argues that the women's music festivals were significant institutional sites for the emergence of black lesbian feminist consciousness. She discusses the essence and importance of so called women’s music and the theoretical issues raised by black women’s presence and white expressions of ethnocentrism within it. Includes a discography of black musicians in women's music.
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Taal
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Engels
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Serie
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African American music in global perspective
Meer informatie
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Uitgever
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University of Illinois Press, Urbana [etc.]
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Verschenen
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2010
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ISBN
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9780252035142
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9780252076985
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Kenmerken
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231 pagina's
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Aantekening
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Met discogr., lit. opg. en index
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forew. by Linda Tillery
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Diary of a mad Black woman festigoer -- Reconnaissance : entering a music festival scene -- After the golden age : negotiating perspective -- Nappy (and deep) roots : streams of musical and political influence -- "Ideal relationships" : women's music audiences -- Redistricting : gay and black outdoors -- Legacy : musicians of the next generation -- Working for the weekend : festival organizers and workers -- Guys like us : community membership revisited
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