The age of Enlightenment, 1745-1790

Uitgever: Oxford University Press, London, New York
Verschenen: 1973
ISBN: 9780193163072; 0193163071
Kenmerken: 724 pagina's
Aantekening: Includes bibliographical references (pages 637-691) and index; Opera in Italy and the Holy Roman empire. Promotion and patronage ; Italian opera ; German opera ; The operas of Mozart / Anna Amalie Abert -- The operas of Haydn / H.C. Robbins Landon -- Opera in France / Martin Cooper -- Opera in other countries : English opera / Roger Fiske -- The rise of Russian opera / Gerald Seaman -- Opera in Spain / Gerald Abraham -- Church music and oratorio / Edward Olleson -- Solo song / Rosemary Hughes -- The early symphony / Egon Wellesz and F.W. Sternfeld -- The concerto / Egon Wellesz and F.W. Sternfeld -- The divertimento and cognate forms / Günther Hausswald --The rise of chamber music / Karl Geiringer -- Keyboard music / Philip Radcliffe -- Instrumental masterworks and aspects of formal design / F.W. Sternfeld; Opera in Italy and the Holy Roman empire. Promotion and patronage / by Anna Amalie Abert. Court opera ; Commercial opera ; Travelling companies -- Italian opera / by Anna Amalie Abert. Opera seria and the Metastasian libretto ; The music of opera seria ; The operas of Hasse ; Graun and others ; Jommelli and Traetta ; Gluck ; Later opera seria ; Opera buffa: its styles and forms ; The composers of opera buffa ; Cimarosa and Martin y Soler -- German opera / by Anna Amalie Abert. Experiments in opera seria ; Benda and melodrama ; German Singspiel ; Viennese Singspiel -- The operas of Mozart / by Anna Amalie Abert. The earliest works ; Youthful works in a traditional pattern ; The supremacy of music over drama ; Idomeneo ; The union of music and drama in Die Entführung ; Between Entführung and Figaro ; Le nozze di Figaro ; Don Giovanni ; Cosi fan tutte ; La clemenza di Tito ; Die Zauberflöte -- The operas of Haydn / by H. C. Robbins Landon. Introduction ; Composition of the operas ; The operas assessed -- Opera in France / by Martin Cooper. The 'Querelle des Bouffons' ; J.-J. Rousseau and the new Opéra comique ; Opéra comique outside France ; Opéra comique at its peak ; Character of the new genre ; Monsigny and Philidor ; Grétry ; Tragédie lyrique ; Gluck and French operatic principles ; Iphigénie en Aulide ; The character of Gluck's Paris operas ; Iphigénie en Tauride ; Echo et Narcisse ; Piccinni ; Salieri ; Sacchini ; Cherubini's appearance in Paris ; Tarare and Les Souliers mordorés ; Opéra comique in the 1780s -- Opera in other countries. English opera / by Roger Fiske. Ballad opera and true opera ; Opera with spoken dialogue ; The work of Dibdin ; Linley, Arnold, and Shield ; Stephen Storace ; Other aspects -- The rise of Russian opera / by Gerald Seaman. Foreign opera in Russia ; The beginnings of national opera ; The Miller-Magician ; Matinsky, Pashkevich, and others ; Fomin -- Opera in Spain / by Gerald Abraham. Italian opera in Spain ; The later Zarzuela ; The Tonadilla escénica -- Church music and oratorio / by Edward Olleson. Stylistic problems in sacred music ; Church music of the Neapolitan school ; Hasse's church music ; Vienna and Salzburg ; Symphonic influences ; Joseph Haydn ; The Josephine restrictions on church music ; Mozart ; Haydn's late masses ; Church music and oratorio in England and France ; The oratorio in Catholic Europe ; Choral music in Protestant Germany ; Haydn's Creation and Seasons -- Solo song / by Rosemary Hughes. England ; France ; Germany ; Austria ; Haydn's German songs ; Haydn's English songs ; Mozart's Lieder ; Mozart's concert arias ; The solo cantata --; The early symphony / by Egon Wellesz and F. W. Sternfeld. Italy: Galuppi and Jommelli ; Later Italian opera overtures ; Sammartini and the symphony ; Later Italian symphonists ; The Graun brothers and Hasse ; C. P. E. Bach ; Form in C. P. E. Bach's symphonies ; Vienna ; Monn and Wagenseil ; Gassmann's overtures and symphonies ; Ordoñez and Leopold Hoffmann ; Dittersdorf and Vanhal ; Michael Haydn ; Mannheim: the first generation ; The younger Mannheim composers ; The symphony in France ; Parisian cosmopolitanism ; Symphonie concertante and symphonie périodique ; German symphonists in England ; Native English symphonists ; The peripheries -- The concerto / by Egon Wellesz and F. W. Sternfeld. Evolution of the concerto ; Pattern and clichés ; Preference for the solo concerto ; Performance ; The transitional concerto in Italy ; The classical concerto in Italy ; North Germany ; Friedemann and Emanuel Bach ; Minor North Germans ; Mannheim ; The later Mannheimers ; The concerto in Austria ; Haydn and the concerto ; Paris and the concerto ; The Symphonie concertante ; The concerto in England ; Johann Christian Bach ; Other foreigners in London ; Native British composers ; Mozart ; Mozart's concertos with violin ; Mozart's wind concertos ; Mozart's piano concertos -- The divertimento and cognate forms / by Günter Hausswald. Serenade, cassation, and notturno ; French and Italian divertimenti ; Vienna and Mannheim ; The Haydn brothers ; The Mozarts and the divertimento -- The rise of chamber music / by Karl Geiringer. Introduction ; The 'solo' sonata ; The trio sonata ; The evolution to the ensemble without continuo ; Mozart's violin sonatas ; Mozart's piano trios ; Mozart's piano quartets and quintet ; Duets for strings or wind ; String or wind trios ; The string quartet ; Haydn's earlier quartets ; Other string quartets of the period ; String quartets of the 1780s ; Mozart's mature quartets ; Haydn's last quartets ; The string quintet ; Mozart's quintets ; Larger ensembles -- Keyboard music / by Philip Radcliffe. Italy ; France ; Spain ; England ; Germany ; C. P. E. Bach ; Other German and Austrian composers ; Haydn ; Mozart -- Instrumental masterworks and aspects of formal design / by F. W. Sternfeld. Introduction ; C. P. E. Bach and other influences on Haydn ; Haydn's earlier symphonies and quartets ; Haydn's last symphonies ; Mozart's chamber music ; Mozart's piano concertos ; Mozart's symphonies.

The age of Enlightenment, 1745-1790

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