• 

  Thomas Turino Music as social life

  the politics of participation

  Verkenning aan de hand van voorbeelden van de rol die muziek in het maatschappelijke en politieke leven overal ter wereld kan spelen.

  Non-fictie

  Engels | 258 pagina's | The University of Chicago Press, Chicago [etc.] | 2008

  Gedrukt boek

• 

  Simon Frith Taking popular music seriously

  selected essays

  Essays over sociaal-culturele aspecten van populaire muziek.

  Non-fictie

  Engels | 343 pagina's | Ashgate, Aldershot [etc.] | 2007

  Gedrukt boek

• 

  Mirjana Laušević Balkan fascination

  creating an alternative music culture in America

  Studie van de populariteit van traditionele muziek en dans uit de Balkan in de Verenigde Staten van Amerika.

  Non-fictie

  Engels | 299 pagina's | Oxford University Press, New York [etc.] | 2007

  Gedrukt boek

• 

  Patricia Tang Masters of the sabar

  Wolof griot percussionists of Senegal

  Non-fictie

  Engels | 209 pagina's | Temple University Press, Philadelphia, PA | 2007

  Gedrukt boek

• 

  Richard Middleton Voicing the popular

  on the subjects of popular music

  Muzieksociologische studie over enkele thema's uit de geschiedenis van diverse populaire muziekgenres.

  Non-fictie

  Engels | 339 pagina's | Routledge, New York | 2006

  Gedrukt boek

• 

  Rockin' las Américas

  the global politics of rock in Latin/o America

  Non-fictie

  Engels | 420 pagina's | University of Pittsburgh Press, Pittsburgh, PA | 2004

  Gedrukt boek

• 

  Bonnie Gordon Monteverdi's unruly women

  the power of song in early modern Italy

  Non-fictie

  Engels | 234 pagina's | Cambridge University Press, Cambridge [etc.] | 2004

  Gedrukt boek

• Mediterranean mosaic

  popular music and global sounds

  Beschrijving van de populaire muziek in de landen rond de Middellandse Zee.

  Non-fictie

  Engels | 336 pagina's | Routledge, New York [etc.] | 2003

  Gedrukt boek

• John Connell Sound tracks

  popular music, identity and place

  Studie over de relatie tussen populaire hedendaagse muziek, omgeving en culturele identiteit.

  Non-fictie

  Engels | 320 pagina's | Routledge, London [etc.] | 2003

  Gedrukt boek

• 

  Theodore Gracyk I wanna be me

  rock music and the politics of identity

  Massa-sociologische analyse van de rockmuziek.

  Non-fictie

  Engels | 292 pagina's | Temple University Press, Philadelphia, PA | 2001

  Gedrukt boek

• Music, culture, and society

  a reader

  Engels | 238 pagina's | Oxford University Press, Oxford [etc.] | 2000

  Gedrukt boek

• Frances R. Aparicio Listening to salsa

  gender, Latin popular music, and Puerto Rican cultures

  Engels | 290 pagina's | Wesleyan University Press, Hanover, N.H. [etc.] | 1998

  Gedrukt boek

• Catherine M. Cameron Dialectics in the arts

  the rise of experimentalism in American music

  Engels | 163 pagina's | Praeger, Westport, Conn. [etc.] | 1996

  Gedrukt boek

• Johan Fornäs In garageland

  rock, youth, and modernity

  Engels | 284 pagina's | Routledge, London [etc.] | 1995

  Gedrukt boek

• Rose Rosengard Subotnik Deconstructive variations

  music and reason in Western society

  Engels | 325 pagina's | University of Minnesota Press, Minneapolis [etc.] | 1995

  Gedrukt boek

• Thomas Cushman Notes from underground

  rock music counterculture in Russia

  Engels | 403 pagina's | State University of New York Press, New York | 1995

  Gedrukt boek

• Musik und Kulturbetrieb

  Medien, Märkte, Institutionen

  Duits | 368 pagina's | Laaber, Laaber | 2006

  Gedrukt boek

• Michael Chanan Musica Practica

  the social practice of Western music from Gregorian chant to postmodernism

  Engels | 302 pagina's | Verso, London [etc.] | 1994

  Gedrukt boek

• Marc A. Weiner Undertones of insurrection

  music, politics, & the social sphere in the modern German narrative

  Engels | 313 pagina's | University of Nebraska Press, Lincoln [etc.] | 1993

  Gedrukt boek

• The International Communication and Youth Consortium Music at the margins

  popular music and global cultural diversity

  The fundamental question is whether there is a growing homogenization of the world's popular music or, alternatively, a continuing and perhaps even increasing diversity of song, styles, and forms. The primary focus is on how the proces of popular music production is perceived by the local musicians. Can world cultural diversity be expected to persist despite growing concentration within international cultural industry? Specific topics adressed include the rise of the international recording indu...

  Engels | 312 pagina's | Sage, Newbury Park, Ca. [etc.] | 1991

  Gedrukt boek

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