Film culture in transition: Alle titels
Resultaat 1 - 20 (van 21)
Temenuga Trifonova Warped minds
cinema and psychopathology
Studie naar psychopathologie in de filmkunst.
Non-fictie
Engels | 283 pagina's | Amsterdam University Press, Amsterdam | 2014
Gedrukt boek
Between stillness and motion
film, photography, algorithms
Non-fictie
Engels | 239 pagina's | Amsterdam University Press, [Amsterdam] | 2011
Gedrukt boek
Tim Bergfelder Film architecture and the transnational imagination
set design in 1930s European cinema
Vergelijkende studie over decorontwerpen in de Europese film in de late twintiger en dertiger jaren.
Non-fictie
Engels | 316 pagina's | Amsterdam University Press, [Amsterdam] | 2007
Gedrukt boek
Jan Simons Playing the waves
Lars von Trier's game cinema
Studie over het werk van de Deense filmregisseur (1956-).
Non-fictie
Engels | 251 pagina's | Amsterdam University Press, [Amsterdam] | 2007
Gedrukt boek
Marijke de Valck Film festivals
from European geopolitics to global cinephilia
Film festivals are popular events that attract lovers of cinema, but they are also a uniquely revealing index of globalisation in the realm of culture and the arts. The author shows how festivals in Europe turned political divisions and national rivalry into advantages, eventually expanding into a successful global network. The book proposes a comprehensively new understanding of film festivals. Issues addressed range from programming and festival prizes to national legimation and city marketing,...
Non-fictie
Engels | 276 pagina's | Amsterdam University Press, Amsterdam | 2007
Gedrukt boek
Malte Hagener Moving forward, looking back
the European Avant-garde and the invention of film culture, 1919-1939
Verhandeling over de invloed van de Europese avant-garde op de filmcultuur in de periode 1919-1939.
Non-fictie
Engels | 369 pagina's | Amsterdam University Press, [Amsterdam] | 2007
Gedrukt boek
Michael Walker Hitchcock's motifs
Identificatie van veertig motieven, thema's en clusters in het gehele oeuvre (films en tv-series) van de Britse filmregisseur (1899-1980).
Non-fictie
Engels | 490 pagina's | Amsterdam University Press, Amsterdam | 2005
Gedrukt boek
Alastair Phillips City of darkness, city of light
émigré filmmakers in Paris 1929-1939
Non-fictie
Engels | 253 pagina's | Amsterdam University Press, Amsterdam | 2004
Gedrukt boek
The last great American picture show
new Hollywood cinema in the 1970s
The American cinema of the late 1960s and early 1970s has remained a Golden Age. As the old studio system gave way to a new generation of American auteurs, directors such as Peter Bogdanovich, Bob Rafelson, Martin Scorsese and Robert Altman helped create an independent cinema. The protests against the Vietnam War, the Civiel Rights movement and feminism saw the emergence of an entirely different political culture.
Non-fictie
Engels | 391 pagina's | Amsterdam University Press, Amsterdam | 2004
Gedrukt boek
William van der Heide Malaysian cinema, Asian film
border crossings and national cultures
Non-fictie
Engels | 301 pagina's | Amsterdam University Press, Amsterdam | 2002
Gedrukt boek
Ivo Blom Jean Desmet and the early Dutch film trade
History of the career of Dutch cinema owner and film distributor Jean Desmet (1875-1956), offers insight into the development of early film distribution and cinema culture in the Netherlands. Between 1907 and 1916, the world of cinema experienced radical structural change, which Desmet not only witnessed but also helped to bring about. Given the insufficiencies of Dutch film production, Desmet became a link between film production abroiad and film exhibition in the Netherlands.
Non-fictie
Engels | 472 pagina's | Amsterdam University Press, Amsterdam | 2003
Gedrukt boek
Egil Törnqvist Ibsen, Strindberg and the intimate theatre
studies in TV presentation
Non-fictie
Engels | 240 pagina's | Amsterdam University Press, Amsterdam | 1999
Gedrukt boek
Joris Ivens and the documentary context
Essays van en over de Nederlandse documentairemaker Joris Ivens (1898-1989).
Non-fictie
Engels | 320 pagina's | Amsterdam University Press, Amsterdam | 1999
Gedrukt boek
Cinema futures: Cain, Abel or cable?
the screen arts in the digital age
Examining the complex dynamics of convergence and divergence among the audiovisual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure the distinctiveness, as well as the necessary openness of cultural meaning and creative input.
Non-fictie
Engels | 312 pagina's | Amsterdam University Press, Amsterdam | 1998
Gedrukt boek
A second life
German cinema's first decades
Collection of essays on German cinema in the period 1895 to 1917, before the so-called 'Golden age'. Main subjects are audiences and the cinema industry; popular stars and genres; and film style and intertexts: authors, films and authors' films.
Non-fictie
Engels | 352 pagina's | Amsterdam University Press, Amsterdam | 1996
Gedrukt boek
Thomas Elsaesser Fassbinder's Germany
history identity subject
Analytische studie van het werk van de Duitse regisseur, acteur en producer (1945-1982).
Non-fictie
Engels | 396 pagina's | Amsterdam University Press, Amsterdam | 1996
Gedrukt boek
The film spectator: from sign to mind
Non-fictie
Engels | 258 pagina's | Amsterdam University Press, Amsterdam | 1995
Gedrukt boek
Film and the First World War
Met reg. In the first part the film production of the period is discussed and such questions are raised as to whether film-making was affected by the war or simply continued. The second part contains an analysis of film texts from this period, while the third part discusses the ways in which cinema was used during the First world war. In the final part the question of the impact of the war is treated. Finally the role played by the film archives in the current wave of studies in early cinema is discussed...
Non-fictie
Engels | 264 pagina's | Amsterdam University Press, Amsterdam | 1995
Gedrukt boek
Egil Törnqvist Between stage and screen
Ingmar Bergman directs
Non-fictie
Engels | 243 pagina's | Amsterdam University Press, Amsterdam | 1995
Gedrukt boek
Double trouble
Chiem van Houweninge, writing and filming
Non-fictie
Engels | 200 pagina's | Amsterdam University Press, Amsterdam | 1994
Gedrukt boek
Non-fictie