• Temenuga Trifonova Warped minds

  cinema and psychopathology

  Studie naar psychopathologie in de filmkunst.

  Non-fictie

  Engels | 283 pagina's | Amsterdam University Press, Amsterdam | 2014

  Gedrukt boek

• Michael Cowan Walter Ruttmann and the Cinema of Multiplicity

  avant-garde - advertising - modernity

  Engels | 259 pagina's | Amsterdam University Press, Amsterdam | 2014

  Gedrukt boek

• Between stillness and motion

  film, photography, algorithms

  Non-fictie

  Engels | 239 pagina's | Amsterdam University Press, [Amsterdam] | 2011

  Gedrukt boek

• Tim Bergfelder Film architecture and the transnational imagination

  set design in 1930s European cinema

  Vergelijkende studie over decorontwerpen in de Europese film in de late twintiger en dertiger jaren.

  Non-fictie

  Engels | 316 pagina's | Amsterdam University Press, [Amsterdam] | 2007

  Gedrukt boek

• Jan Simons Playing the waves

  Lars von Trier's game cinema

  Studie over het werk van de Deense filmregisseur (1956-).

  Non-fictie

  Engels | 251 pagina's | Amsterdam University Press, [Amsterdam] | 2007

  Gedrukt boek

• Marijke de Valck Film festivals

  from European geopolitics to global cinephilia

  Film festivals are popular events that attract lovers of cinema, but they are also a uniquely revealing index of globalisation in the realm of culture and the arts. The author shows how festivals in Europe turned political divisions and national rivalry into advantages, eventually expanding into a successful global network. The book proposes a comprehensively new understanding of film festivals. Issues addressed range from programming and festival prizes to national legimation and city marketing,...

  Non-fictie

  Engels | 276 pagina's | Amsterdam University Press, Amsterdam | 2007

  Gedrukt boek

• Malte Hagener Moving forward, looking back

  the European Avant-garde and the invention of film culture, 1919-1939

  Verhandeling over de invloed van de Europese avant-garde op de filmcultuur in de periode 1919-1939.

  Non-fictie

  Engels | 369 pagina's | Amsterdam University Press, [Amsterdam] | 2007

  Gedrukt boek

• Michael Walker Hitchcock's motifs

  Identificatie van veertig motieven, thema's en clusters in het gehele oeuvre (films en tv-series) van de Britse filmregisseur (1899-1980).

  Non-fictie

  Engels | 490 pagina's | Amsterdam University Press, Amsterdam | 2005

  Gedrukt boek

• Alastair Phillips City of darkness, city of light

  émigré filmmakers in Paris 1929-1939

  Non-fictie

  Engels | 253 pagina's | Amsterdam University Press, Amsterdam | 2004

  Gedrukt boek

• The last great American picture show

  new Hollywood cinema in the 1970s

  The American cinema of the late 1960s and early 1970s has remained a Golden Age. As the old studio system gave way to a new generation of American auteurs, directors such as Peter Bogdanovich, Bob Rafelson, Martin Scorsese and Robert Altman helped create an independent cinema. The protests against the Vietnam War, the Civiel Rights movement and feminism saw the emergence of an entirely different political culture.

  Non-fictie

  Engels | 391 pagina's | Amsterdam University Press, Amsterdam | 2004

  Gedrukt boek

• William van der Heide Malaysian cinema, Asian film

  border crossings and national cultures

  Non-fictie

  Engels | 301 pagina's | Amsterdam University Press, Amsterdam | 2002

  Gedrukt boek

• Ivo Blom Jean Desmet and the early Dutch film trade

  History of the career of Dutch cinema owner and film distributor Jean Desmet (1875-1956), offers insight into the development of early film distribution and cinema culture in the Netherlands. Between 1907 and 1916, the world of cinema experienced radical structural change, which Desmet not only witnessed but also helped to bring about. Given the insufficiencies of Dutch film production, Desmet became a link between film production abroiad and film exhibition in the Netherlands.

  Non-fictie

  Engels | 472 pagina's | Amsterdam University Press, Amsterdam | 2003

  Gedrukt boek

• Egil Törnqvist Ibsen, Strindberg and the intimate theatre

  studies in TV presentation

  Non-fictie

  Engels | 240 pagina's | Amsterdam University Press, Amsterdam | 1999

  Gedrukt boek

• Joris Ivens and the documentary context

  Essays van en over de Nederlandse documentairemaker Joris Ivens (1898-1989).

  Non-fictie

  Engels | 320 pagina's | Amsterdam University Press, Amsterdam | 1999

  Gedrukt boek

• Cinema futures: Cain, Abel or cable?

  the screen arts in the digital age

  Examining the complex dynamics of convergence and divergence among the audiovisual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure the distinctiveness, as well as the necessary openness of cultural meaning and creative input.

  Non-fictie

  Engels | 312 pagina's | Amsterdam University Press, Amsterdam | 1998

  Gedrukt boek

• A second life

  German cinema's first decades

  Collection of essays on German cinema in the period 1895 to 1917, before the so-called 'Golden age'. Main subjects are audiences and the cinema industry; popular stars and genres; and film style and intertexts: authors, films and authors' films.

  Non-fictie

  Engels | 352 pagina's | Amsterdam University Press, Amsterdam | 1996

  Gedrukt boek

• Thomas Elsaesser Fassbinder's Germany

  history identity subject

  Analytische studie van het werk van de Duitse regisseur, acteur en producer (1945-1982).

  Non-fictie

  Engels | 396 pagina's | Amsterdam University Press, Amsterdam | 1996

  Gedrukt boek

• The film spectator: from sign to mind

  Non-fictie

  Engels | 258 pagina's | Amsterdam University Press, Amsterdam | 1995

  Gedrukt boek

• Film and the First World War

  Met reg. In the first part the film production of the period is discussed and such questions are raised as to whether film-making was affected by the war or simply continued. The second part contains an analysis of film texts from this period, while the third part discusses the ways in which cinema was used during the First world war. In the final part the question of the impact of the war is treated. Finally the role played by the film archives in the current wave of studies in early cinema is discussed...

  Non-fictie

  Engels | 264 pagina's | Amsterdam University Press, Amsterdam | 1995

  Gedrukt boek

• Egil Törnqvist Between stage and screen

  Ingmar Bergman directs

  Non-fictie

  Engels | 243 pagina's | Amsterdam University Press, Amsterdam | 1995

  Gedrukt boek

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